Saturday, April 23, 2022

Movie Reviews: The Panic In Needle Park

The Panic In Needle Park
directed by Jerry Schatzberg

I hadn't watched this 1971 movie about the romance of two New York City heroin addicts. I knew it had soon to be superstar Al Pacino's first leading role, which caught The Godfather director Francis Ford Coppola's eye. 

Coppola thought that Pacino had the gravitas and intensity to play Michael Corleone and used this film to persuade skeptical Paramount producers and studio executives of Pacino's skill. Watching this movie it seems impossible that anyone couldn't have recognized that Pacino was destined for greater things. 

Hindsight is always 20/20. Many actors and actresses do wonderful work in one movie and then for whatever reason never touch greatness again. So who can really tell. This movie reminded me of similar later movies such as Requiem For A Dream, Leaving Las Vegas, and Drugstore Cowboy. This film has an anti-drug message but it transmits that message without preaching or turning its characters into caricatures. 

The film's characters are lowlifes but they're not always doing lowlife things. They have hopes, dreams, and fun like anyone else.

Movie Reviews: San Andreas

San Andreas
directed by Brad Peyton


This is an over the top 2013 disaster movie that used every action movie cliche and threw in an amazing number of fanservice cleavage shots. 

The director and writer(s) ensured no matter what was happening on screen that the cleavage of the two lead actresses (and most secondary ones) was always on display. 

Someone drowning? Show some cleavage. Building on fire? We need some cleavage shots. Deep conversation between estranged spouses? That goes better with cleavage. Someone dangling from a helicopter? Someone climbing rubble? Someone discussing events with co-workers? What better time to show some cleavage. Snicker. 

Michigan Democrat Fights Back!

It seems that some Democratic elected officials are finally waking up to the fact that when someone hits you, you hit them back. Harder. It's the only way to deal with people in real life. Turning the other cheek or assuming that your presumed audience will see through the lies is an excellent way to lose respect and lose elections. As the saying goes "A lie can travel halfway around the world and back again while the truth is lacing up its boots."

The new Republican tactic is to call Democrats pedophiles and child groomers. One Democratic Michigan State Senator, Mallory McMorrow, recently let everyone know she didn't appreciate anyone, in particular the Republican Senator Lana Theis calling her  a "groomer" in a fundraiser email. This sort of forceful rebuttal to lies could and should become part of a Democratic rapid response playbook.


Movie Reviews: Angel Face

Angel Face
directed by Otto Preminger

Angel Face
is a 1953 film noir that, like Chinatown two decades later, has some Freudian undertones. These were not usually explicit. It was the 50s. When you think about them you might get the heebie-jeebies. This movie didn't use WW2 as a backdrop but did use wealth and corruption as the story environment.

Depending on whom you spoke to, the director was known as a demanding perfectionist auteur or as a sadistic bully.

There is a famous story that Preminger required too many takes of a scene where Robert Mitchum slaps Jean Simmons. Preminger wanted the scene to be realistic; he refused to let the slap be faked or toned down as Mitchum wanted to do. After Preminger kept insisting that Mitchum slap Simmons harder, Mitchum lost his temper and slapped Preminger in the face with his full strength, sarcastically asking him was that the right force or should he do it again. 

Preminger fled the set. Preminger tried and failed to get Mitchum fired. The studio owner, Howard Hughes, had attempted to seduce Simmons, although she was married. In revenge for being rejected by Simmons, Hughes had insisted that Simmons fulfill her studio contract with Preminger as the director.

Saturday, April 16, 2022

Movie Reviews: Snowpiercer

Snowpiercer
directed by Bong Joon-Ho

This 2013 dystopian movie was based on a French graphic novel. The science behind it is hit or miss. Snowpiercer is not concerned with accurate science. When the science needs to make sense for the story to work it does. And when the science must be ridiculous for the story to work, it is. 

The movie is more interested in what we think we know about human society and the various class struggles required. Or perhaps it's just certain kinds of societies that necessitate class struggle?  

Human activity--which some would argue is inseparable from human population--is responsible for the massive destruction of flora and fauna as well as global climate change. 

There is no quick fix because forcing worldwide use of renewable energy, forcing worldwide return to pre-Industrial Revolution living standards, or forcing worldwide population culling to pre-Industrial Revolution population levels are all unlikely or immoral actions. 

Believe Women or Believe Evidence

There are some feminists of both genders who subscribe to a believe women ethos which means that to them the default should be to automatically and uncritically accept allegations of misbehavior that any and all women make, particularly if such charges have to deal with sexual or other violence against women. 

Some such people get frightfully wroth if anyone is impolitic  enough to point out that women, like other human beings, are capable of being mistaken or deceitful. I think that any standard we use, whether in criminal court, civil court, or the court of public opinion, must have some provision for evidence. In other words no one should be uncritically believed without evidence.

Such faith might be something that individuals give to intimates or close relatives but it's not something that society can or should give to anyone who makes a claim. I recently read about another example of this.

Six weeks after Sherri Papini was arrested and charged with faking her own kidnapping in 2016, the so-called Super Mom from Northern California has signed a plea deal and will admit that she orchestrated the hoax, her attorney told The Sacramento Bee on Tuesday.

William Portanova, a prominent Sacramento defense attorney who signed onto the case in late March, said Papini, 39, signed a plea agreement Tuesday morning in which she will plead guilty to counts of lying to a federal officer and mail fraud.

“We are taking this case in an entirely new direction,” said Portanova, a former federal prosecutor. “Everything that has happened before today stops today.”.

Movie Reviews: A House On The Bayou

A House On The Bayou
directed by Alex McAulay
This made for cable TV thriller movie should have been chopped in half and presented as an episode from Tales from The Crypt. This movie used many typical horror/thriller movie tropes. 

There's a teen girl discovering her own sexuality, bickering/clueless parents, a threatening yet polite and mysterious young man, adultery, secrets, and unexplained impossible events. A House On The Bayou was too long. I didn't care about most characters. I wasn't impressed with or apprehensive of the bad guys.

Despite the antics of some couples in Hollywood or other less traditional communities, once they are married many people still initially expect that henceforth they will be the only ones providing that good thang to their spouse and vice versa, forever. It's explicitly stated in most marriage vows: "forsaking all others". Well as my high school gym teacher once ruefully noted to our class, "Forever is a long time, baby!".