directed by Jack Bernhard
This is an older and lower budget film noir that nonetheless stands tall as one of the most unabashedly hardcore noirs, with a femme fatale that runs rings around all of the men she encounters. This lady is cold, mean, and nasty but also extremely attractive.
Her beauty allows her to get away with what she does as nobody believes that she will turn on him until it's too late.
You might say that this film is a homage to the power of femininity gone wrong or conversely, an examination of how stupid men can be when women are concerned. One minor character finds the word 'dichotomy' in the dictionary and is fascinated by both its sound and meaning. He mispronounces it and repeats it. He's talking about Jean Gillie's character though he doesn't realize it. The audience certainly will though.
There is a serious dichotomy between Gillie's character's looks and words on the one hand and her character's actions on the other. I've written before that people do themselves a disservice if they dismiss all older movies as having poorly written female characters. It's just not true. I think too often people believe that women must behave as men behave in order to be strong. Not the case. Gillie's character is never going to be mistaken, physically or otherwise, for a man.
She's not going to be cursing, punching people out, or mouthing feminist platitudes. Gillie's character gets the most screen time, is perhaps the best constructed, and is fully in charge of things, from the beginning to the end. She's not nice at all though she certainly looks it.