Movie Reviews: After.Life

After.Life
directed by Agnieszka Wojtowicz-Vosloo

Depending on your mood you might believe that this is an intelligent art film with a powerful message. Or you might think that it's a pretentious horror film that thinks it's smarter than it really is and uses tropes and cliches you've seen a million times before--including plenty of female star nudity-- to no great avail.

As referenced in HBO's Boardwalk Empire death will happen to us all eventually. But we don't know what it's like until we experience it. And once we do we can't tell anyone what it's like. All we know is that it's final. 

So it's important to live life to the fullest, to give and receive love while we're here, to live each day as if it is our last, because one day we'll be correct. That's this film's underlying message. However it's wrapped in a horror movie packaging, that as mentioned, feels old and dull. 

Movie Reviews: Danger Signal

Danger Signal
directed by Robert Florey

This short movie doesn't reach the level of a true film noir though it certainly looks like it thanks to the fantastic cinematography by James Wong Howe, a rarity in early Hollywood, a Chinese-American cinematographer. Howe's work, along with some of the acting, gives the film a gravitas that unfortunately falls apart at the ending or when you closely examine it. 

But since the movie moves fast it's entertaining enough I guess. In the sitcom Seinfeld there was an episode where the title character wanted to stop dating one roommate and switch to dating the other. His solution was to propose a threesome in the hopes that his current girlfriend would be disgusted and dump him while the other lady might be intrigued enough to become his new girlfriend. 

His plans fell through when both women expressed interest. Danger Signal was made in 1945 so it lacks lurid sex, but it does have a man, a far more dangerous man than the hapless Seinfeld character, who wishes to switch from one roommate (here the women are sisters) to the other. We already know that this man Ronnie Mason (a perfectly cast Zachary Scott) is no good because we see him leaving his murder victim, after stealing her wedding ring and some cash and placing a fake suicide note where the authorities are sure to find it.

Movie Reviews: Johnny Cool

Johnny Cool    
directed by William Asher

It's always interesting and maybe even a little unsettling in a fun way to realize that actors or actresses that you think of in only one way actually can have a wide range and be convincing in different roles. 

I remembered the actress Elizabeth Montgomery from being a child back in the Pleistocene period watching reruns of the bland tv series Bewitched in which Montgomery played Samantha. 

Samantha is a sorceress who despite being far more powerful and intelligent than her ordinary ad exec husband, is content to be (mostly) a compliant housewife who uses her magic to get her husband out of various silly jams or give folks lessons on how to be better people. She was a "good" witch.

In Bewitched Montgomery was often attired in relatively sensible clothing. Plain, staid, and blah were the normal descriptions for the Samantha character. So it was something of a shock to me to watch Johnny Cool. 

Movie Reviews: Halloween Ends

Halloween Ends
directed by David Gordon Green

This movie, the conclusion of the original Halloween storyline, was disappointing. Seriously Freaking Disappointing. The serial killer Michael Myers has been terrorizing an Illinois town for over half a century. 

Michael seemed to be obsessed with town resident Laurie Strode (Jamie Lee Curtis) one of the few people to survive his remorseless attacks. Now the thing about Michael, which has launched him from run of the mill murderer to force of nature, is that his strength, ability to endure pain, and ability to avoid detection have always been beyond that of any man. 

The films always played coy about this but the previous installment Halloween Kills made it obvious that Michael had consistently survived wounds that would have killed anything that was human. 

Book Reviews: Edgewise

Edgewise
by Graham Masterton

I picked up this novel from the stacks of unread books in my library. Like Richard Laymon, Masterton can be perverse but there was little of this here. Edgewise is a thriller novel based on the North American Indigenous legend of the Wendigo. 

The Wendigo is a forest spirit that possesses people and causes them to commit acts of violence and cannibalism, is created or summoned when people do evil all on their own, or that simply roams the forest eating people because it's cursed with never ending hunger. 

Stories and details differ. 

Although this is an older novel, having been released in 2007, it captures some of the fraught relations between men and women today, especially regarding divorce and resulting child custody battles. Lily Blake is a Minnesota realtor who has completed a divorce from her less successful husband Jeff, who saw his once promising IT career crater while Lily earned more than three times his salary. 

According to Lily, wimpy Jeff couldn't handle her awesomeness which is why he's her ex. But apparently Jeff has gone over the deep end. Some seriously twisted hateful men who say they're from FLAME (Father's League Against Mothers' Evil) invade Lily's home, kidnap her young children Tasha and Sammy, and attempt to kill her.

Movie Reviews: Five On The Black Hand Side

Five On The Black Hand Side
directed by Oscar Williams

From the mid sixties to the early seventies there was a cultural and artistic component to the US and associated diaspora civil rights/Black power movements. It didn't last long but for about a decade there was renewed interest--marketable interest--in Black centered stories and other art. 

This film's director and writer thought that there were too many movies which presented Black actors and actresses as gangsters, pimps, drug dealers, super studs, and foxy mamas all looking to "stick it to the Man" over a wah-wah guitar and congas soundtrack. The writer and playwright Charlie Russell, the older brother of NBA superstar Bill Russell, conceived this movie as an anti-blaxploitation corrective.

This film has no nudity, toplessness, or real violence. It's a broadly humorous, though not slapstick look, at issues impacting a Black Los Angeles family.

Happy New Year!!

I hope you have as good of a New Year as these wolves intend to have.

Here we go, yo, here we go, yo!#NewYearsEve 🐺🐺🐺 pic.twitter.com/i3PEgYl5gA

— Wolf Conservation Center (@nywolforg) January 1, 2023