directed by Bob Kelljan
Hollywood occasionally notices that Black audiences exist and would like to watch films in which Black actors/actresses are not always the chaste best friend, comic relief, incompetent bad guy, or useless "red shirts" who die to demonstrate the danger for the (usually white) hero/heroine.
The late sixties and early seventies were one of those times. Scream Blacula Scream was created during that period. Scream Blacula Scream was a sequel to the original, equally unimaginatively titled Blacula. Despite the name, however, neither the original nor the sequel were bland mishmashes of Stoker's Dracula. In the original film--although the time period is off by about three hundred years--- Prince Mamuwalde (William Marshall), leader of the African Abani people is traveling Europe to seek support for ending the African slave trade.
Mamuwalde asks the help of Count Dracula. Unfortunately Dracula is apparently a racist who supports the slave trade. Dracula finds it ludicrous and offensive that any African could call himself a prince.
Dracula turns Mamuwalde into a vampire and imprisons him, telling him his new name is Blacula. In the seventies, Blacula's sealed coffin was transferred to Los Angeles where the revived Blacula starts turning people into vampires while searching for the reincarnation of his long lost love. He fails at that second task and willingly immolates himself by walking into sunlight.
This film starts shortly after the first film's events. A religious leader/voodoo Queen is near death. She decides to pass on leadership to her adopted daughter Lisa (Pam Grier) instead of her biological son Willis (Richard Lawson).