Monkeys Bathe in Hot Springs

What else can monkeys learn to do by watching humans? Monkey see, monkey do I guess.

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Night Sky Over Tahquamenon Falls

We are currently in International Dark Sky Week, if you didn't know. The idea is to enjoy the night sky free from the increasing light pollution which humans are producing. I live in a subdivision that is right on the edge of rapidly declining open land and farmland. In another decade or so it's likely that almost everything will be paved over. It is amazing that people have so many lights on at night that it's becoming almost indistinguishable from day. Stepping out of the subdivision puts you into a semi-rural community or rather what's left of one. But doing that you immediately notice the difference in lighting at night. Without the super bright porch lights and street lamps you actually know what darkness is. More importantly, you can see the stars, which is the main benefit of having things be dark at night.

People tell me that I was taken on a fishing trip to Lake Superior when I was young with my father and maternal grandfather but I don't remember. In the years since I haven't been back to the Upper Peninsula. It is a place I would like to visit and perhaps retire some day. For now I can just enjoy the pictures of the changing night sky over Tahquamenon Falls near Lake Superior in the Upper Peninsula of Michigan. There is a lot of natural beauty in this world if you just look around.

Music Reviews: Tom Lehrer

Tom Lehrer is a retired mathematician, satirist, parodist, writer, Army veteran, NSA agent and pianist. Among other things, he wrote music for the PBS show The Electric Company. Lehrer has a certain gift for finding absurdity in everyday life and a knack for writing songs with "blue" material but without any banned words. 

I first heard him on the Dr. Demento radio show, which I used to fall asleep listening to back in the days when dinosaurs roamed the earth. At the time I shared a bedroom with my younger brother who said then and maintains to this day that as oldest I got away with things which my parents would have shut down instantly had they known about, one of those things most definitely being the Dr. Demento show. Of course (1) you really shouldn't give credence to everything said by resentful younger siblings with questionable memories and (2) by today's standards the Dr. Demento show of the seventies and eighties is quite tame. And even back then Tom Lehrer was already something of an old fogie. He's been around a while. 

I enjoy Lehrer's musical and lyrical humor. Lehrer can occasionally evince something of a dirty mind (listen to I got it from Agnes and then listen to it again until you understand why Lehrer initially couldn't perform the song outside of adult nightclubs despite not using a single bad word). Lehrer usually expresses himself in a classy way with lots of did I really hear what I thought I heard plausible deniability.

I also like Lehrer's song The Elements, which lists all of the elements of the periodic table to the melody from Gilbert and Sullivan's Modern Major-General Song from The Pirates of Penzance. Some might say that you have to be slightly bent in your worldview to enjoy Lehrer's humor. I don't deny that he can appeal to the absurd, dark, cynical, and satyric that lurks within us but he also appeals to anyone who enjoys puns, wordplay and lyrical witticisms.

Brooklyn Museum Hiring Fracas

The Brooklyn Museum recently hired a white woman to be its curator of African Art. Some people didn't like this hiring decision, to put it mildly. 

A recent decision by the Brooklyn Museum to hire a white person as an African art consulting curator has prompted opposition on social media and from an anti-gentrification activist group that argues the selection perpetuated “ongoing legacies of oppression.” In response to a letter from the group that stated its concerns, Anne Pasternak, the director of the Brooklyn Museum, said in a statement on Friday that the museum “unequivocally” stood by its selection of Kristen Windmuller-Luna for the position. “We were deeply dismayed when the conversation about this appointment turned to personal attacks on this individual,” Ms. Pasternak said. 

She also extolled the expertise of Dr. Windmuller-Luna, calling her an “extraordinary candidate with stellar qualifications.” Dr. Windmuller-Luna, 31, has Ph.D. and M.A. degrees from Princeton, and a bachelor’s degree in the history of art from Yale. She has worked at the Metropolitan Museum of Art, the Princeton University Art Museum and the Neuberger Museum of Art in Purchase, N.Y. Her appointment to the Brooklyn Museum was announced late last month.

In its letter earlier this week, the activist group Decolonize This Place called the museum’s selection of Dr. Windmuller-Luna “tone-deaf” and said that “no matter how one parses it, the appointment is simply not a good look in this day and age.”

“Seriously, @brooklynmuseum? There goes the neighborhood for good,” opined Philadelphia journalist Ernest Owens on Twitter.

Music Reviews: Nikki Giovanni, Camille Yarbrough, Sarah Shook

Nikki Giovanni
Truth Is On The Way/Like A Ripple On A Pond

Nikki Giovanni is a poet, writer, professor and activist among other things. Her list of awards, works and accomplishments are far too long to list here. I think she's definitely one of the greatest living poets. She was one of the first poets I remember reading. My maternal aunt gave me her collection of poems titled "Ego Tripping and other poems for young people" all those years ago. Giovanni is often described as radical or militant or other such words but I think that those terms are limiting. Her politics and approaches to life have varied over the years, as with anyone else. 

If there is one theme in her work that hasn't varied it is that black people (especially black women) are human and beautiful. In the early seventies as now such a message may be thought of as militant or threatening but I never saw it as such. One thing that was current in the early seventies is that the music produced by black entertainers and musicians wasn't solely concerned with the lowest common denominator of sex and violence. There were actually still some themes of love and sacrifice. It seems like that's been lost in a lot of the music that is popular today but I could be wrong as I don't listen to much pop music. 

Hmm. Anyway, esteemed musicologists can argue over when and where rap begun. Some people confidently point to the late seventies South Bronx. Others will go back further in time and farther afield to Caribbean/Jamaican toasts or West African chants. Others will claim it was all started by spoken word performers/rappers like the Watts Prophets, Last Poets, Wanda Robinson, and Gil Scott Heron. Some will point to scat singers like Eddie Jefferson or Ella Fitzgerald, or rock-n-roll founders like Bo Diddley. Wherever you start the discussion of rap's creation and growth, certainly the spoken word albums that Giovanni created in the early seventies deserve some consideration. 

Black Men Arrested At Starbucks Speak Out

You may have heard about the Black men arrested at a Philadelphia Starbucks while they were waiting to have a business meeting with a possible partner. Charges were dropped. The white female manager who called the police within two minutes of the men's arrival allegedly did so because the men hadn't purchased anything and had asked (and been denied) a chance to use the bathroom. There have been other incidents at other Starbucks locations but this is emphatically not solely a Starbucks problem. This is a white racism problem or to be more precise as some of the people behaving in this manner towards Black people are not white, it's an anti-Black racism problem, particularly an anti-Black male attitude. Again, incidents like this are why I am so dismissive of anyone who argues that Black men are oppressive patriarchs. You can say a lot of things about patriarchs but they don't get arrested and perp-walked out of an establishment for the crime of annoying or scaring someone who isn't Black. 

We see again that the mere presence of Black masculinity in a public space badly scares some people and/or sets them off. Just as in Fort Worth, or in Rochester Hills, being Black in public causes some non-Blacks to either wet their pants in fear or feel that they must immediately show the n****s who is the boss. What sort of citizen are you if you can literally be arrested because someone thinks that you didn't order coffee fast enough? You're certainly not a first class citizen. The men speak about their experiences below:

Demise of the Nation State???

The British Indian novelist and essayist Rana Dasgupta recently wrote a very long earnest piece about the alleged demise of the nation-state. You should read it. Dasgupta makes a few good points. It is true that many rights which we don't normally allow governments to violate (at least in theory or without a really good reason established via due process) are "violated" every single day by corporations. Corporations have become powerful enough to begin to unfetter themselves from meaningful oversight or control by some of the nations where they do business. It's true that for some countries that globalization has caused greater diversity and in others raised average incomes. Dasgupta badly missteps when he argues that globalization in its current form is inevitable or that the increasing nationalism in some countries is merely a reactionary last gasp against needed permanent change to political, economic and cultural systems. Dasgupta tips his hand near the end of this piece. Dasgupta doesn't evince much interest in independently occurring nationalist, sectarian, ethnic or racial feelings outside the West, though their intensity can rival anything in today's West. 

No the main point that Dasgupta wants you to take away from this 6000 word essay is something that he initially obfuscates but ultimately just can't resist bluntly stating. He thinks that citizenship itself is manifestly unfair. To be precise, Dasgupta thinks that citizenship in the West and especially citizenship in the United States is unfair. And he wants to end it, primarily to make people in the Third World wealthier.

The history of the nation state is one of perennial tax innovation, and the next such innovation is transnational: we must build systems to track transnational money flows, and to transfer a portion of them into public channels. Without this, our political infrastructure will continue to become more and more superfluous to actual material life. In the process we must also think more seriously about global redistribution: not aid, which is exceptional, but the systematic transfer of wealth from rich to poor for the improved security of all, as happens in national societies.