It is interesting to me what different cultures consider okay to eat and what they might consider disgusting to consume. Sometimes the foods we consider good or bad are thought to be so because of completely arbitrary reasons. Maybe a long time ago a certain food was more closely associated with THOSE people and therefore the "good decent" people (snicker) decided that those "nasty" foods were forbidden. Or because people developed in different areas they grew to consider the foods they had around them to be fine and good while looking askance at foods found in other lands. Religious texts often have rules about which animals may be consumed and which ones can't. I can only imagine the horror of a devout South Asian Hindi watching a conquering South Asian Muslim walk up to a cow and slaughter it for food.
Of course cultures change internally as well. The lobster has a striking resemblance to a cockroach and allegedly some of the same bad habits. It wasn't until the late 19th thru the mid 20th century in North America that lobster was considered a delicacy only enjoyed on special occasions or only consumed by the rich. Before then people thought lobster was nasty food fit only for poor people, enslaved people or prisoners. In certain nations in Africa and Asia insects are considered okay to consume. China is notorious for having a national palate that includes almost everything.
The Hitman's Bodyguard
directed by Patrick Hughes
This movie is a generic action flick of the buddy film variety. Two bada$$es with utterly different professional and personal styles (and occasionally moralities) are against their will thrown together to battle against the world. One's country; the other one's a little bit rock-n-roll. One never loses his temper; the other one has no constraints on his id. One is quiet and exacting; the other one is a hyperactive extroverted motormouth. One's a slob; the other spends all of his money on exquisitely tailored British and Italian suits, when he's not getting a pedicure, that is. One's an experienced ladies man or successful husband; the other is too scared to approach the woman of his dreams. One's... well you get the idea. There are far too many movies to mention which use these themes:Tango and Cash, Rush Hour, Bad Boys, 48 hrs, Midnight Run, yada, yada, yada.
The not so dynamic duo may squabble with each other throughout the film. They will almost certainly fight each other. Usually the fight is a draw or is interrupted somehow. But when the chips are down the two men discover that they aren't so different after all and team up to take down the Big Bad who made the unfortunate mistake of trying to harm one or both of the men and/or their love interests. One is weak where the other is strong and vice versa.
I don't want it sold to children! That's an infamia. In my city, we would keep the traffic in the dark people, the coloreds. They're animals anyway, so let them lose their souls.-The Godfather
Until very recently there haven't been many large chain groceries located within the city. The majority of Detroit liquor stores aka "party stores", food wholesalers, and small to mid size grocery stores happen to be owned by people of Middle Eastern descent. Some of these businessmen and businesswomen have a reputation for a certain disdain for their predominantly black and often impoverished clientele.
This distaste can be expressed in any number of ways. I don't live in Detroit any more so there's no reason for me to shop at such stores. Even when I did live in Detroit I rarely shopped at those stores as I was taught never to spend money with people who have nothing but contempt for you. Unfortunately some consumers in Detroit evidently feel that they have no choice but to spend money on inferior goods and services. More's the pity.
Disgraceful. The Kit Kat Grocery store on Harper near Van Dyke on Detroit's east side, which has a history of health code violations, sells packaged food with expiration dates as far back as 2015, Hank Winchester of WDIV discovers.
Winchester of "Help Me Hank," a consumer advocate feature on WDIV, finds Sister Schubert rolls that expired in April 2015, Jimmy Dean sausage with a use-by date of September 2016 and bologna that expired on Aug. 29, 2017. The hamburger meat had freezer burns. A box of Betty Crocker potatoes was sealed with Scotch tape and had a best if used by date of November 2017.
The Foreigner
directed by Martin Campbell
Ever notice how you come across somebody once in a while you shouldn't have f***** with? … That's me.
There are several older man takes revenge flicks, some good, some not so good. Years ago Liam Neeson reinvigorated the genre with Taken. In that movie we saw Neeson's secret agent with a very particular set of skills open up a can of whup-a$$ on people foolish enough to kidnap and threaten his daughter. Denzel Washington riffed on this theme in Man on Fire and The Equalizer. Michael Caine did the same in Harry Brown. Gran Torino (quoted above) saw Clint Eastwood deconstruct this trope. Mel Gibson explored this genre with Blood Father and Edge of Darkness. You could even argue that no matter what role he's playing Bruce Willis is never too far from this trope. There is an ongoing cinematic desire for patriarchal protection and revenge, regardless of real life society moving away from that. People often like to think that they are worthy of such protection or alternately that they are capable of providing protection or revenge for those they love. The Foreigner is a worthy entry into this crowded field. It's not the best. It's not the worst. It is different for at least two reasons.
The first is that The Foreigner is a dramatic turn by actor and martial artist Jackie Chan. Chan is not making any jokes in this drama. Chan has no reason to laugh. The second reason that this movie is different is that it partially steps away from the cardboard cutout bad guys who usually provide the cannon fodder for the vengeful father as he fights his way up the ladder to the Big Bad. It's not just a mindless action film, not that there's anything wrong with a mindless action film, thank you very much.
Well meaning people often try to comfort themselves by thinking that racism is something that is only found in a few backwater states or among low class low iq people or a problem that can be dodged by wealth, correct diction and classy style of dress or something which will be reduced if not eliminated by the vigorous application of free market principles. Unfortunately none of those statements are true. Racism is worldwide.There's no place in the U.S. which is certifiably racism free. Something as innocuous as attempting to purchase goods or services can be dangerous to your emotional and physical well being. Maybe it's waiting for a restaurant table longer than everyone else or being refused entry into a nightclub. Maybe it's being followed around a store because the employees automatically assume you're a thief. Maybe it's a clerk who wants two pieces of ID when you pay with a check or credit card when you just saw her decline to demand the same of the white customer in front of you. Maybe the landlord who agreed over the phone to rent to you has just rented the unit when he sees you in person.
Whatever it may be spending money with people who dislike you or distrust isn't a good idea. Often their animus can be far greater than their desire for your money. And many people who think this way won't shy away from letting black people know how they feel in word and deed. A recent example of this caught my eye.
Ursula K. Le Guin recently passed away. She was among other things, a sci-fi/fantasy author who combined what would today be considered social commentary with a unique and inventive imagination and style. Although I enjoy the European based pseudo-medieval/Dark Ages/Roman era/Renaissance era that provided fertile fuel for works created by such authors as Tolkien, Vance, Anderson, Martin, Howard. and many others, Le Guin always went her own way. And fiction was better for that.
For me her most enjoyable and influential works were the Earthsea series. These were unusual in fiction at the time of their creation then and even today because most of the protagonists were what would today be called people of color. These books have dragons, wizards, quests, the entire Hero's Journey, all in a world that is universes apart from the then popular Tolkien or Howard knockoffs. Le Guin also challenged ideas about sexuality, identity, gender, economics and society in such works as The Dispossessed, The Left Hand of Darkness, and The Lathe of Heaven. But what was really different about Le Guin's works were the ideas that the "good guy" would not and should not "win" by greater application of effective violence. The struggles Le Guin described were just as much internal ones to find balance as they were external ones to win victory. Violence might occur but it was almost never the answer.
Acts of Violence
directed by Brett Donowho
I try to handle it without violence being involved but sometimes that's the only way these problems are solved -2 Black 2 Strong MMG
Acts of Violence is a low budget mashup of any number of classic thriller and action movies, including but not limited to Death Wish, The Searchers, The Sons of Katie Elder, Four Brothers, and almost every seventies or eighties Golan-Globus production. The film lacks glossy production values, though as it's set in Cleveland, that's probably on purpose to try to increase the verisimilitude.
Acts of Violence has a strong made-for-tv/direct to video feel. Certain themes repeat themselves throughout human stories and history. Men of a different tribe kidnap a woman, presumably for nefarious purposes. The husband, relatives and other friends of the kidnapped woman decide that they aren't going to take that kind of thing lying down and rustle up a posse/army to go rescue the kidnapped maiden or failing that, deliver some righteous vengeance. This stuff is at least as old as The Iliad, which describes the war between the Greeks and Trojans caused by the Trojan prince's kidnap, or was it seduction, of a Greek Queen. And likely 3000 years from now there will still be humans telling stories that use this trope.
In The Iliad, the Greeks' greatest warrior Achilles, sulks in his tent and refuses to fight because the Greek high king Agamemnon, forced to return a female hostage/slave, took Achilles' female captive for his own. Without Achilles the Greeks come close to losing the war. It's only when Achilles' best friend (?)/cousin (?)/lover(?) Patroclus is killed that Achilles is inspired to return to the battlefield and do what he does best.
