They Live By Night
directed by Nicholas Ray
Countless movies feature lovers on the run, two against the world, a man and woman who as the song goes "have been up and down this highway and haven't seen a goddamn thing." These stories often conclude with one or both of the lovers dying, usually going out in a blaze of glory. The archetype predates film. My earliest exposure to it was in the poem, "The Highwayman". But this stuff is older than dirt.
directed by Nicholas Ray
Countless movies feature lovers on the run, two against the world, a man and woman who as the song goes "have been up and down this highway and haven't seen a goddamn thing." These stories often conclude with one or both of the lovers dying, usually going out in a blaze of glory. The archetype predates film. My earliest exposure to it was in the poem, "The Highwayman". But this stuff is older than dirt.
The star crossed lovers die because fictional or not, the establishment wants to demonstrate the dangers of actual outlawry or socially transgressive actions. I think this story's best modern example is Arthur Penn's Bonnie and Clyde.
Although the titular outlaws weren't as intelligent or decent as the film portrayal, they really did die together in a hail of bullets. Oliver Stone (with an assist from Quentin Tarantino) took the opposite tack in Natural Born Killers, in which the killers are shown to be awful--but somehow cool--people who survive.