Officer Brooks and Angel Guice

I am not overly fond of police officers. Some percentage are just not very nice people, whether they are being rude and officious, enforcing laws differently depending on race, or using unnecessary force simply because they felt like humiliating, hurting, or killing someone--often African-American. Obviously there are also many decent officers who do their job. 

Unless an officer's request is obviously unlawful and/or you are ready to throw down, I would advise most people to use the courts to battle a police officer they believe is wrong.

Recently an Atlanta police officer stopped the actress Angel Guice and her male companion for being in a park after hours. I thought a warning was sufficient. However, the police officer chose to issue the couple tickets. In Georgia, you are apparently required to sign a ticket. The man signed his ticket. Ms. Guice refused to sign hers.

Movie Reviews: Firestarter (2022)

Firestarter (2022)
directed by Keith Thomas

This is a remake of the 1984 movie Firestarter which was in turn based on the 1980 Stephen King novel. It has the updated special effects and gender/race switched characters common today. Firestarter's weakness is that the creators pandered to fans of the modern anti-hero (anti-heroine) character for whom morality is far less important than action, winning, and being a "bada$$". 

In HBO's Game of Thrones this tendency led people to cheer Daenerys Targaryen, a woman who wasn't a feminist avenger but a budding tyrant who saw her caprice as the only valid law. 

Daenerys' female identity immunized her to almost all criticism so even today some fans can't reconcile the casually murderous dragonlady with their fantasy of girl power. 

Like GRRM, King has written some downer endings and antihero protagonists, but the Firestarter novel lacked those. This film dramatically changed King's ending along with some major character motivations.

Movie Reviews: Wicked Woman

Wicked Woman

directed by Russell Rouse

This is a 1953 B-Movie that is somewhere between film noir and seedy crime drama. At seventy-seven minutes, Wicked Woman is a fast moving short film without deep character dives and long exposition. You will recognize the characters from other movies but more importantly from real life. Life is full of people for whom things didn't quite work out as planned. 

Sometimes even successful people learn that they are missing other important facets of life. So depending on how you view this, you may find the characters underdeveloped or as I did, reminders of people I've known or otherwise encountered through life.

The film has a realistic appreciation of the motivations of certain men and women and how both genders seek advantages. I was surprised at the film's sexual frankness and its occasional nods to the supposed unfairness of gender roles, here voiced by a wife who sees herself as a martyr, though she might be just as big of a jerk as everyone else.

Music Reviews: Debra Devi: Jamification Station Volume 1

Debra Devi
Jamification Station Volume 1

Decades ago I used to agree with some classical or jazz musical snobs (critics and musicians) that live performances without any overdubs were the "real" measure of talent because after all as everyone knew, overdubs were only used to show off unnecessarily or fix mistakes. If you really were about your business you would bring it live. 

This was of course bulls***!  

Any talented musician, composer, or performer will make you recognize his or her skill regardless of the tools or environment that he or she uses. However I do enjoy listening to live music. There's still something special to me about hearing musicians perform in real time with no net.

With the onset of the Covid Pandemic the singer and musician Debra Devi wasn't as able to perform live at concerts as she had previously. Undeterred, she and her band created a number of weekly livestream concerts, some of which Devi recently produced and released as the EP Jamification Station Volume 1. No overdubs, no retakes-what you hear is how it was.

Movie Reviews: The Satanic Rites Of Dracula

The Satanic Rites Of Dracula
directed by Alan Gibson

This movie is a sequel to the oft unintentionally hilarious Dracula AD 1972, which imagined a Dracula transported to the London of the eponymous year, surrounded by swinging mods and hippies. Dracula AD 1972 tried and horribly failed to update the Dracula story for a contemporary audience. On the other hand Hammer's standards by then had relaxed enough to include a truly tremendous amount of cleavage, which was probably the movie's only redeeming feature for those who appreciate such things. 

Probably the film's biggest problem, besides the bad acting, derivative soundtrack, and inadvertent humor was that Dracula was still restricted to Gothic settings inside the movie. So it felt as if Dracula AD 1972 were really two movies spliced together, and not in a good way.

The Satanic Rites of Dracula, though a sequel, imagines a very different England (and London) than the previous movie. Here, everything is gray, lifeless, and somber instead of bright and musical. The people doing stupid short sighted things are not callow youths looking for excitement but rather some of England's most important politicians and businessmen.

Movie Reviews: Dracula, Prince of Darkness

Dracula, Prince of Darkness
directed by Terence Fisher

This sixties Hammer film was a direct sequel to Hammer's initial Dracula film though there had been a Dracula film before this one that actually didn't have the titular character included. Although this film was made in 1966 it was still very much of a piece with Hammer's more sedate fifties gothic movies. There wasn't much cleavage (actually one of the lead actresses was famous for always refusing to show much flesh on camera) or any nudity. 

By the standards of today and even the standards of what Hammer would permit in just five years or so there wasn't even that much violence. Christopher Lee, who played the eponymous villain, was allegedly already starting to lose interest in the character and supposedly refused to say any of the dialogue written. The director and writer disputed Lee's assertion, saying that no dialogue had been written for Dracula anyway.

The special effects were minimal, being limited to fangs, contact lenses, and a vampire being brought back from Hell. Still, although by today's standards this film would be rated a mild PG at worst, it still managed to be scary through judicious use of lighting, anticipation, music, quiet, space and settings.

Movie Reviews: The Irishman

The Irishman
directed by Martin Scorsese

Although the director Martin Scorsese has directed and created a wide variety of films (twenty five fictional films and almost as many documentaries), he's probably best known for many entertaining and provoking movies depicting Mafia life. Arguably, Scorsese has created a Mafia themed film tetralogy with the movies Mean Streets, Goodfellas, Casino, and The Irishman. 

The Irishman came out a few years ago. For whatever reason I only recently watched it. It's not Scorsese's best film but it might be one of his most moral and thoughtful. It should be Scorsese's Mafia cycle denouement. Scorsese's other Mafia films are fire, with dangerous hotheads and sudden eruptions of lust or violence.

The Irishman is the polar opposite. It's ice. Most characters are understated, quiet, and unemotional. People make such oblique threats that the viewer may be unaware that someone's life or wellbeing is in grave danger.