Movie Reviews: They Won't Believe Me

They Won't Believe Me
directed by Irving Pichel

This 1947 film noir was really good. People of a certain age may remember the lead actor, Robert Young, from his titular roles in the television series Father Knows Best and later Marcus Welby M.D. Young's role in this film was quite different from those portrayals. There was a radio show titled The Whistler that was running at the same time that this film was released. 

In The Whistler, usually a desperate person or a hardened criminal committed some crime. The person almost got away with it before realizing that he or she had overlooked some minor detail that led to their arrest and conviction, imprisonment, or even execution. 

The protagonist would often discover that it had been unnecessary for them to commit the crime. They might learn that even if they got away with it there was no profit to be had.

If I recall correctly sometimes even an innocent person might be wrongly caught up in a web of mistaken identities and wrong place at the wrong time situations. I really like listening to The Whistler. They Won't Believe Me works the same side of the street as The Whistler. 

This movie would have worked well as an episode on The Whistler. But it works just as well as a noir movie. The performances by Young and the three (count 'em three!) female leads are just perfect. Everyone is believable.

Movie Reviews: Malignant

Malignant
directed by James Wan

This is a suspense/thriller movie that reminded me of Brian DePalma's film, Sisters, with Margot Kidder. Younger people might have other touchstones. 

I thought Malignant wasn't what it could have been because it switched mood and tone too often.

 

One second it's a glorious B movie homage to scientists investigating things that should not be before turning into a somber statement on loneliness, loss, and domestic violence and finally morphing into a bloody action/horror film. 

 

Or maybe it's just a parody of those things. Malignant mixes a lot together. James Wan directed Malignant. James Wan made a name for himself by directing Saw, Insidious, and The Conjuring, before going to even greater glory with Aquaman and Fast and Furious 7. 

Wan is a master of his craft, especially when it comes to using sets and lighting to make the viewer feel uneasy and uncomfortable. Wan does that to massive effect in Malignant. Malignant has some impressive camera work. The camera silently communicates the loneliness and fear felt by the lead actress. But too often the music interferes with that, leading to a cheesy "BE SCARED NOW" effect. 

German Shepherd Puppy and Cat Play

Sometimes it didn't look like they were playing. But I guess all's well that ends well.

 

Movie Reviews: Split Second (1953)

Split Second
directed by Dick Powell

Split Second is a surprisingly entertaining film noir that was the directorial debut of noir and comedy leading man Dick Powell, whose work as hardboiled detective Phillip Marlowe was previously reviewed here. 

Split Second has the same plot lines as previous films such as Key Largo and The Petrified Forest, both Bogart vehicles. 

It's probably no accident that the lead bad guy seems to be channeling Bogart. There's a nod to O. Henry's "The Ransom of Red Chief".  

So originality is not this film's strong suit. That doesn't matter. This film looks at human emotions. Humans don't change that much. So why should our stories change? Some people believe that there are only a few basic stories that are told over and over again, regardless of time, race, or culture. 

Russia and Ukraine War: Quick Thoughts

I hope that the Russia: Ukraine War ends soon with minimal loss of life. In most cases war is an obscenity. 

However, it's impossible not to notice the tremendous implicit bias in the war's media coverage. 

Some pundits have expressed shock and horror that war is occurring in Europe. 

The unspoken feeling is that Europeans should be more advanced than this, not like those other "uncivilized" people of the world. For those other people, evidently, life really should be 'nasty, brutish, and short.' 

One journalist recently made this explicit. I doubt that he has any special animus against people who aren't white or European. He just takes it for granted that such people aren't as advanced or as civilized as his (presumably white) audience.

“Civilized”
pic.twitter.com/AiU7uVmjMr

— Imraan Siddiqi (@imraansiddiqi) February 26, 2022

There are deadlier wars currently occurring in Ethiopia and Yemen. There are people losing their lands and lives in a slow motion strangulation in Palestine. Western powers drop bombs on people in Syria and Somalia with a disregard for civilian casualties. Boko Haram is still kidnapping and murdering people in Nigeria. 

Bridgewater New Jersey Racism

Justice is supposed to be blind. If the so-called justice system is not blind then it's of no use. 

This is a truism if you happen to be Black and especially if you happen to be a Black male. 
You will be treated more harshly than anyone else for the exact same violation.

It would be comforting to think that this bias only happened in the bad old days or in certain backwards Southern states but it still happens everywhere today. 

The different standard is so obvious that in the latest example even the white (or at least non-Black) person who benefitted from this bias recognized it and called it out.

A video of police officers breaking up a fight at a New Jersey mall has sparked anger over accusations that law enforcement treated the two teenagers involved in the scuffle — one Black and one white — differently. 

Movie Reviews: Halloween Kills

Halloween Kills
directed by David Gordon Green

This slasher film is a sequel to the 2018 film which was itself a sequel to the original 1978 classic original film and a retcon for some of the various sequels, remakes, and reboots that have taken place in the intervening forty years. It is also the second film in a trilogy. 

Perhaps the final film, imaginatively titled Halloween Ends, will at long last end the saga of Michael Myers.  I hope so. Halloween Kills tries an appeal to nostalgia for those of us who remember the 1978 film by bringing back some characters from that film or its immediate sequel. 

I felt no such sentimentality.

I don't think anyone missed those characters. Halloween wasn't a film where (children aside) you had much feeling for characters besides Laurie Strode. This film doesn't establish WHY we should care about people who implausibly survived their own encounter with Michael Myers. 

I might have cared about them more if the film showed me the murders' impact on their lives, families, and relationships-in short what the 2018 film did with Laurie Strode, then considered a gun crazed paranoid grandma. Halloween Kills opens after the events of the 2018 film.