Profile
directed by Timur Bekmambetov
The director produced the similar themed film Unfriended 2: Dark Web, reviewed here. As with Unfriended 2 everything takes place on a computer or phone screen.
directed by Timur Bekmambetov
The director produced the similar themed film Unfriended 2: Dark Web, reviewed here. As with Unfriended 2 everything takes place on a computer or phone screen.
Profile is based on a true story that examined the phenomenon of successful ISIS recruitment of young Western, i.e. white, European women.
Theoretically, when examining this experience, people might have something to say about the thrill of the bad boy to some women, the possibility that the dying standards or rejected morality of one group will inevitably be replaced by those of another, whether immigration that places groups with competing historical grievances and incompatible cultural ideas in the same space is wise, whether people need examples of positive masculinity or femininity, and various other discussions that might make both feminists and traditionalists equally uncomfortable.
Bekmambetov avoids those discussions. The director focuses, with one major exception, on whether one person (or both) will discover that the other person on the computer/phone screen is not who he or she claims to be.
This is intermittently exciting but I think the movie would have been stronger if it included a few of the aforementioned issues. Instead, the film often made the lead actress look dumb.
Even before Jeffrey Toobin got caught making himself happy on a company Zoom call, I think most people knew that it was smart to keep work and personal id's, phones, and computers separate.