Since the pandemic begun I've been listening to more old school original rock-n-roll, primarily though not exclusively created by Black people. There are many different iterations of this music.
As mentioned before on this blog during the time much of this music was created and performed, the music definitions of today had not been created.
A person might record a slow blues for one market, an uptempo rocker for a different market, a lugubrious plodding gospel tune for the church crowd or a horn heavy churner for people who just wanted to dance. So you can call this music rock-n-roll, jump blues, rockabilly, whatever. I just like it. I like to think myself well versed in this stuff but I have been surprised and humbled and even a little angered to discover just how much of this music I hadn't heard before.
One musician I discovered was Tarheel Slim, or as his birth certificate read, Allen Bunn. As his nickname indicates, Bunn hailed from the great state of North Carolina. Born in 1932 the baritone singer and guitarist had hits in various genres, including gospel, pop, doo-wop, blues, rock-n-roll, jump blues, rockabilly, and soul. There are two songs of his which stood out to me on the collections I purchased.
One musician I discovered was Tarheel Slim, or as his birth certificate read, Allen Bunn. As his nickname indicates, Bunn hailed from the great state of North Carolina. Born in 1932 the baritone singer and guitarist had hits in various genres, including gospel, pop, doo-wop, blues, rock-n-roll, jump blues, rockabilly, and soul. There are two songs of his which stood out to me on the collections I purchased.