Fatale
directed by Deon Taylor
directed by Deon Taylor
This new thriller is a neo-noir which compares well with the forties and fifties noir films that are its ancestors and somewhat less so with the Shannon Whirry and Shannon Tweed eighties and nineties erotic thrillers that are its more immediate antecedents. The title (and much of the story) put me in mind both of the femme fatale often found in such films and the Michael Douglas/Glenn Close movie Fatal Attraction. You have seen the themes and plots in this movie before. However, as some storytellers insist, perhaps ultimately there only a few archetypes which are shared over and over again. I thought that this story was well acted and generally well written.
Again, as is common in the genre, there are a few things which are obvious to the viewer which aren't obvious to the protagonist. A usual feature of these sorts of movies is that the protagonist is not a man who is filled with rectitude. He's a man who makes mistakes. You might even say that he's a man who indulges some sins. But in noir films he's rarely the worst person depicted on screen. He's usually a man who thinks, often accurately, that his choices are limited or constrained. Thus, like people in real life, the noir protagonist had to choose what he sees as the least bad outcome. We've all had to do that at times I think.