The US Senate -It's a Man's World

The US Senate has often been described as a club, a boy's club.  There are 17 women in the Senate. Some people wish to increase that number and are deeply worried about the coming elections. For some activists, political analysts and female Senators, the prospect of having a US Senate with fewer women is just horrible. Worse it's bad for democracy.

Ok. I have no issue with stating that representative institutions should try to be, well representative. That's fine. However as usually is the case when these kinds of discussions pop up the people agitating for more women in the US Senate fall back on hyperbolic claims that the US Senate or democracy itself would somehow be transformed for the better because women somehow have special insights or are just more moral than men.

"When women are part of the negotiation and are part of decision-making, the outcomes are just better," said Gillibrand. "When we have our dinners with the women in the Senate -- the Democrats and Republicans -- we have so much common ground. We agree on so many basic principles and values. I think if there were more women at the decision-making table, we would get more things done."

Sen. Dianne Feinstein (D-Calif.) echoed that sentiment at Fortune magazine's "Most Powerful Women" dinner in April 2010.

When asked about progress on regulatory reform legislation, Feinstein replied, "Well, I actually think that if we had all women [in the Senate],we would solve the problem."

 Sen. Susan Collins (R-Maine), who was sitting in the front row at the event, enthusiastically clapped in response.

"There was a moment there at the end of the debt ceiling [debate] that some of the women, on a bipartisan basis, were talking about, 'We need to take this over and get this done,'" said Sen. Claire McCaskill (D-Mo.), who is running for her second term in 2012. "I think we are, by our nature, nurturers and negotiators. We want people to get along, we want to find a solution, we want to move forward. I think sometimes there is a tendency to like the fight for the fight's sake every once in awhile with some of the guys. So I think having more women involved will help."

Huffington Post Article

Horsefeathers! 

Senator Feinstein's comment stood out to me, not only because of its obvious chauvinism but also because Feinstein was and is in my opinion one of the more ethically challenged people in the US Senate. She is exactly the sort of person that both the Tea Party and the 99% movement would likely agree on as an example of the odious nexus between big money, big government, war profiteering and private enrichment at the public trough. If we had more women like Dianne Feinstein in the US Senate this country would be in even worse condition than it is.

I've been in the world a while now and although there are obvious deep differences both physically and socially/emotionally between men and women I think these are dwarfed by the similarities. And whatever differences I have noticed between men and women certainly haven't been MORAL ones.

I've worked with women bosses or co-workers that: 

• were racist or bigoted
• were bullies
• used sex appeal or sex to get ahead
• used seeming weakness to manipulate people
• were greedy and shortsighted
• were lazy
• were unqualified for their position
• were unable to work well with others or admit mistakes
• were emotionally crippled
• were more dedicated to their job than anyone else
• were gracious and kind
• went above and beyond to help me and others succeed
• were extremely smart
• were incredibly talented hardworking people

In short the women I work(ed) with ran the entire gamut of humanity, just like men did. HOW they expressed themselves might differ a bit from men on average but WHAT they expressed did not. Not at all.

Now Senator Feinstein's and Senator McCaskill's comments, much like Justice Sotomayor's "Wise Latina" crack may not be noticed or may be excused as understandable hyperbole-coming from women that is. It's a minor bigotry as such things go.

But what if say Rick Santorum or Rick Perry stood up and said 

"I agree with Senators Feinstein and McCaskill. Women are more nurturing and that is exactly why we need fewer of them in the Senate. The Senate is not a place for nurturing. It is a place for sober reflection, cold logic and deliberate hardball negotiation. And men are by our very nature, tacticians and philosophers."

Obviously that would be a career limiting move to say the least. But that is one logical outcome of the statements about nurturing.

My fundamental belief is that people are generally the same, morally. I don't believe that women are better than men, that whites are better than blacks or whatever. If the Knesset and Hamas and the PA were made up of all women there would still be rockets and bombs flying back and forth between the West Bank, Gaza and Israel. The only difference is the bombs might have pink ribbons attached.

For whatever reason, whether it be biological or sociological there are more men that want to run for office. So more men get elected. As long as their voters are satisfied with the outcomes I don't think their gender is relevant. And the idea that because a slight majority of the population is women means that the Senate representation should be 50-50 or close to it makes no sense to me. Because so many of the people who state that or imply it are not concerned about the increasing decline of men in college or the workplace. It's as if where women are less than 50% of a given population there must be changes made to bring women in but where women are more than 50% of a given population , well that's wonderful progress. Heads I win, tails you lose.

There are some nations in the world which have legally required or informal quotas for female representation in their legislative bodies. I don't think that's going to happen here, fortunately. I think that over time we will see more women in the House and Senate. But I don't think that's something that is going to be imposed from above. And I also don't think it will make a tremendous amount of difference in how the system is run. Again, as Feinstein shows, it's money that makes the world go round..

QUESTIONS

1) What's your take? Do you think the US Senate needs more women?

2) Would a Senate made up of all women be better for the US?

3) Why don't more women run for office?

Movie Reviews-Trespass, Honey Dripper and more

Trespass

The movie Trespass showed me a few things I already knew.

• Nicole Kidman has a great pair of legs.
• Nicolas Cage loves to overact.
• It's a very bad idea to let strangers into your home.

Trespass emphasizes these three points over and over and over and over and over again. And then one more time just in case anyone who was really dim missed it. Trespass tells the story of the Miller family. It's barely worthwhile to list character names because you never for a moment forget that this is Kidman and Cage-for the reasons listed above. Anyway Mr. Miller (Cage) is a diamond broker. He and his family reside in a spacious mansion with state of the art security. He's on his cell phone 24-7 making deals. Miller is literally tethered to a secure briefcase from which at day's end he removes items which are carefully placed in a safe. 

Mr. Miller is so busy that he hasn't noticed that Mrs. Miller (Kidman) has made his favorite dinner and is wearing his favorite skintight black dress in anticipation of some spousal Miller Time later that night.  He declines her offer. He has business. She hints at divorce. Their daughter is an unpleasant teen who (against orders) sneaks out to party with her trampy and druggy friends once her bickering parents stop bothering her and start bickering again.

So initially Daughter Miller misses the fun. Before Mr. Miller can depart on business he foolishly buzzes in some people claiming to be police. Ahem. He NEVER SEES THE FACES of the supposed officers before he allows them in his house or even finds out what they really want. Right. If you lived in a million dollar home with surveillance up the kazoo because you carry diamonds and cash with you, you're just gonna let anyone who says he's a cop into your house.  And you have no guns, dogs, panic room or onsite security detail of your own. Smart move, that.

Of course the folks aren't cops. And what they want, besides listening to some shouting from Cage and watching Kidman's dress ride up, is the Millers' money and diamonds. But Mr. Miller isn't willing to give. Mrs. Miller may know one of the assailants. The criminals seem angrier with each other than they are with the Millers.

Joel Schumacher directed this. I probably wouldn't have watched this film if I had known he was the director. It is stylish but it's really a quite empty flick. This film has several instances where characters behave stupidly so that the story can continue. Your tolerance for this movie may depend on how much you enjoy Cage's shouting his lines or Kidman's increasingly manic characterization of a desperate housewife. Funny Games, which I need to get around to reviewing one of these days, was a much better take on the whole "home invasion" trope. 
Trailer





Honeydripper

In both subject matter and pacing this film is somewhat similar to Big Night and takes place in about the same time period. But rather than portray 1950's Italian-Americans in New Jersey trying to make a failing restaurant work it depicts 1950's African-Americans in Alabama trying to make a failing nightclub work. And it's also utterly different.


The early fifties was when the older blues and R&B of people like Charles Brown, Muddy Waters, Louis Jordan, T-Bone Walker and others began to transition into the rock-n-roll of people like Ike Turner, Fats Domino, Chuck Berry, Little Richard and Bo Diddley. Director John Sayles brings that story to life as well as a few other subthemes. 


Honeydripper tells the story of one saloon/nightclub owner, a Mr. PineTop Purvis (Danny Glover) who runs his club (The Honeydripper) as an old school blues joint.  As might be expected from his name, Purvis is himself a talented blues pianist. His primary musical attraction is the singer Bertha Mae (real life blues/gospel artist Mable John) who belts out pre-war blues tunes. Unfortunately few people-especially younger people-want to hear that old timey stuff any more; Purvis has lost most of his customers to a  competing juke joint that offers modern R&B and jump blues via jukebox. Purvis' wife Delilah (Lisa Gay Hamilton) is a proud Christian woman who wants to make Purvis choose between her and the blues.


An young itinerant musician Sonny (real life Blues guitarist Gary Clark Jr.), arrives in town only to be immediately arrested by the genially racist sheriff Pugh (Stacy Keach) who accuses and convicts Sonny of vagrancy. As by coincidence it just happens to be harvest time Sonny is sentenced to pick cotton. During his VERY rare down time Sonny wanders into the Honeydripper where he tries to convince Purvis and his right hand man Maceo (Charles Dutton) that he can play his guitar-a homemade solidbody electric guitar. Skeptical of his skill and disbelieving of anything so crazy as an electric guitar the older men show him the door. And a protective Purvis warns Sonny away from his stepdaughter, China Doll (Yaya DaCosta).


Between organized crime extortion, bigotry and bank liens, Purvis is just about to lose the club. He calls in a few favors and arranges to have famous New Orleans guitarist Guitar Sam (a homage to real life Guitar Slim) appear for one big night where Purvis hopes to make enough to pay off all his debts. But for whatever reason Guitar Sam doesn't arrive. Desperate, Purvis starts to wonder if that nutty kid with the weird guitar can actually play...


This was a slow moving deliberate movie until the last 20 minutes. This was a good choice I think. The Sheriff's racism is downplayed a bit too much for my taste but that wasn't this film's focus. Keach plays it almost tongue in cheek. Vondie Curtis-Hall, Mary Steenburgen, Sean Patrick Thomas and real life musicians Keb Mo and Eddie Shaw also appear in this film. 
Trailer







The Big Sleep

This is one of the greatest movies of all time, not just film noir. The Big Sleep was directed by Howard Hawks and based on a story by Raymond Chandler. It is also at some points almost impossible to follow. Supposedly when the screenwriters and director got confused about who actually committed a murder and whether or not a character was dead they called up Chandler, who after some thought, had to admit that he didn't know either.


So it is occasionally bewildering in the details. But the reason to watch it is to see one of the coolest actors of all time, Humphrey Bogart, at the top of his game with the woman he loved, Lauren Bacall. I mean these two are some really suave people..just suave. You can tell that they had a lot of fun acting in this movie. And of course some of this wasn't acting. This movie is famous for its convoluted story, Hawks' use of lighting and shade, the ominous sets, the gray morality and seedy environments but one of the things it's most famous for is the infamous "horseracing" conversation between detective Phillip Marlowe (Bogart) and Vivian Rutledge (Bacall). They are flirting, confronting and evaluating each other all at once.

Vivian: Tell me: What do you usually do when you're not working?

Marlowe: Oh, play the horses, fool around.

Vivian: No women?

Marlowe: I'm generally working on something most of the time.

Vivian: Could that be stretched to include me?

Marlowe: Well I like you. I've told you that before.

Vivian: I like hearing you say it. But you didn't do much about it.

Marlowe: Well, neither did you.

Vivian: Well, speaking of horses, I like to play them myself. But I like to see them work out a little first, see if they're front-runners or come from behind, find out what their hole-card is. What makes them run.

Marlowe: Find out mine?

Vivian: I think so.

Marlowe: Go ahead.

Vivian: I'd say you don't like to be rated. You like to get out in front, open up a lead, take a little breather in the backstretch, and then come home free.

Marlowe: You don't like to be rated yourself.

Vivian: I haven't met anyone yet that can do it. Any suggestions?

Marlowe: Well, I can't tell till I've seen you over a distance of ground. You've got a touch of class, but, uh...I don't know how - how far you can go.

Vivian: A lot depends on who's in the saddle. Go ahead Marlowe, I like the way you work. In case you don't know it, you're doing all right.

Marlowe: There's one thing I can't figure out.

Vivian: What makes me run?

Marlowe: Uh-huh.

Vivian: I'll give you a little hint. Sugar won't work. It's been tried

This HAS to be heard to fully appreciate the humor, double-entendres and wit involved. I don't know how that got past the censors in 1946. Phillip Marlowe, a short hardbitten wiseacre detective, is hired by wealthy General Sternwood (Charles Waldron) to stop the blackmail of Sternwood by  the gambler and gangster Joe Brody (Louis Jean Heydt) to make Sternwood pay gambling debts. This blackmail is centered around Sternwood's younger daughter Carmen (Martha Vickers), who is something of a sexpot. 


Sternwood also wants Marlowe to discover the whereabouts of his former employee Sean Regan, who recently disappeared and may have had a relationship with Carmen. Marlowe is watched and shadowed by Sternwood's eldest daughter, Vivian (Bacall) who has her own game to play and is quite capable of holding her own with Marlowe. Before the film is over the viewer is taken through a murky underworld of pornography, prostitution, drugs, aberrant (by the standards of the time) sexuality and murder. The film does all this with no nudity, no bad language and most violence off screen. It's all in the reflexes, as old Jack Burton might say. If you do decide to watch this do not under ANY circumstances see it in color. This MUST be seen in glorious B&W. Again, the interplay between Bogie and Bacall is just magnificent. 


Prank call     Trailer




Lair of the White Worm

What's Halloween without a cheesy cult horror movie? And The Lair of the White Worm, directed by Ken Russell, based on a short story by Bram Stoker, definitely fits the bill. This is a lush movie with lots of atmosphere, shock moments, hints of decadent sex and plenty of mordant humor. It really doesn't have a lot of gore.


It's only 90 minutes and moves quickly. A Scottish archaeology student named Angus -Peter Capaldi (and yes he does play bagpipes in a memorable scene) is working with his girlfriend/assistant Mary (Sammi Davis) in an excavation on a English Midlands property owned by Mary and her uptight sister Eve (Catherine Oxenberg). Angus finds a pre-Christian and possibly pre-Roman temple that appears to venerate some sort of snake god. He also finds an ancient reptilian skull which is not easily categorized.


The enigmatic Lady Sylvia Marsh (Amanda Donohoe) shows up at her estate again-she tongue in cheek claims to have been hibernating. She is very interested in what Angus has found. She also looks a lot like the previous Lady Marsh and the one before that as well.


There are plenty of local legends of how the ancestor of the current Lord D'Ampton (Hugh Grant) fought and killed a wyrm (Anglo-Saxon term for dragon) centuries ago in a cave that is not too far from Lady Marsh's home. The Trent sisters' father disappeared some time ago but suddenly his watch is found near the same cave. And the fossil vanishes from the Trent girls home. Suspicious, Angus and Lord D'ampton decide the time has come to see just what's in those caves and investigate just who (or what) Lady Marsh really is. This is a fun movie that is made more so by Russell's visual stylings, the English estate settings and Donohoe's lavish costumes and over the top performance.

Pat Robertson thinks GOP too extreme

I rock for Jesus, baby!!!!

You know you have a substance abuse problem when Robert Downey Jr. says he's worried about your drug intake.

You know you have a weight issue when Oprah says you could stand to drop a few pounds.

You know you have an extremist issue when Pat FREAKING Robertson says you've gone too far to the Right.

That's right. Pat FREAKING Robertson, the hateful religious fraud last heard claiming that the Haitian earthquake was punishment for a slave revolt inspired by the devil and that divorcing a spouse with Alzheimers is the right thing to do thinks that the current GOP candidates are slipping too far to the right, and that this will hurt the GOP in the general election.

I believe it was Lyndon Johnson that said, ‘Don’t these people realize if they push me over to an extreme position I’ll lose the election?’” he said. “Those people in the Republican primary have got to lay off of this stuff. They’re forcing their leaders, the frontrunners, into positions that will mean they lose the general election…They’ve got to stop this! It’s just so counterproductive!

I mean think about this. Pat FREAKING Robertson thinks the GOP candidates are too far to the Right.

This is the man who 

• Had lucrative diamond mining business with former Liberian President and accused war criminal Charles Taylor and former Zairean dictator Mobutu Sese Seko.
• Agreed with Jerry Falwell that liberals, atheists and feminists had brought on 9-11 as God's Punishment. Robertson explicitly also made his own statement that his God had lifted his protection from the US as a result of engaging in or allowing non-Pat Robertson approved activities.
• Thinks that Ariel Sharon suffered a stroke as God's Punishment for being willing to cede land to the Palestinians.
• Thinks that "gay days" at Disneyworld will bring about God's Punishment
• Said that Hurricane Katrina was likely God's Punishment for US abortion policies.
• Predicted terrorist mass killings in 2007 in the US as, you guessed it, God's Punishment.

And there's plenty plenty more here and here

However the sun shines on a dog's butt every now and again. And even a nutty loon (or is it a loony nut) like Pat FREAKING Robertson may have a point. Perhaps the Republicans would be well advised to listen to the crazy "religious" man in this instance. Because if anyone knows crazy ugly extremism, it's Pat FREAKING Robertson. If you're guzzling down shots at the Crazy Bar and Robertson pulls your coat to whisper, "Hey, you've had enough to drink-let's go", maybe you should step away from the counter and not call for another round. 

QUESTIONS

Do you think Robertson is correct and Republicans are tilting too far to the Right?

Were you aware of Robertson's previous loony statements?
Does this mean the evangelicals may not turn out in force for the eventual Republican nominee?

Music Reviews- Rufus Harley and Harmonica Shah

RUFUS HARLEY

Ultimately all men are brothers. This is apparent when you listen to a lot of different music. Old English/Scottish murder ballads morph into African American blues songs. Herky jerky funk vamps are echoed in Eastern European dance tunes. Hearing the equivalent of “Take it to the bridge!!” in Romanian or Serbian is amusing.

Afro-Cuban son and salsa both influences and was influenced by Senegalese, Gambian and Congolese music. In some respects music is one big swamp of mixed origins.

This was certainly true of the art of famed jazz musician Rufus Harley, who made his mark not just as a passably good composer and interpreter of other people’s work but as the genre’s primary (though perhaps not sole) bagpipes player. That’s right, BAGPIPES. Harley played an ancient instrument that may have originated in North Africa, the Middle East or Eastern Europe, but has since become almost uniquely identified with Scotland and to a lesser extent Ireland. And he played his pipes in such a manner that one wonders why other jazz or blues musicians haven’t picked them up. The really defining characteristic of bagpipes of course is that the musician is able to produce a drone. 

Drones are quite common in much of Indian music and some other non-Western music, including some traditions from West Africa. In the fifties and sixties as Western musicians in various disciplines began to listen to, be inspired by and perform their own versions of “world” music (especially that of India), drones started to pop up more , often in jazz and rock. And in some forms of blues-most famously the North Mississippi styles-drones never went away.  Harley was already a multi-reed player when he saw the Black Watch perform at JFK’s funeral. Inspired, he bought himself a set of Scottish Highland bagpipes and got to work learning how to play. As the results weren’t very pleasing at first he was the subject of many complaints by neighbors. When the police arrived, having hidden his instrument away, an aggrieved Harley would tell the police, “Bagpipes???!! Do I look Irish or Scottish???”

Over time Harley became a better musician to the point where he led his own band and proved to everyone that he was not just some gimmicky performer. Similar to many people of his era , he definitely showed a Coltrane debt but like most good players he had his own voice. Unlike other reed players, HIS voice just never needed to stop for air. 

He recently passed but his legacy shows us that a talented person can find inspiration anywhere and use just about any tool to make music. If you like post 60’s jazz, you will like Harley. And if you’re sort of leery of the pipes, give him a listen. You might be surprised by how well the tone of bagpipes can fit in to modern jazz music.  The Constitution is amazingly funky for a piece that doesn't feature a bass. Harley was also featured on the Roots “Do you want more?”  

The Constitution   A Love Supreme  

Nobody Knows the Trouble Us People is Done Seen(Live)   

Amazing Grace (Live)

HARMONICA SHAH

Although Detroit doesn’t have quite the place in blues lore that Chicago has there were still quite a lot of blues performers who came out of Detroit-most famously John Lee Hooker but also people like Eddie Burns, Little Sonny, Andre Williams (the dirtiest old man that ever existed) and many others. Detroit is also the home of Harmonica Shah. 

Born in the late forties, Harmonica Shah is one of the last real bluesman in America-people that grew up and survived under some very difficult conditions. Born in Oakland, Shah got interested in the blues while he was living in Texas. He started pursuing music professionally when he moved to Detroit. While he was in Detroit he was also working on the line for Ford Motor Company but after some years departed to perform full time. So organized labor’s loss is the music fan’s gain. Unfortunately for Shah, the popularity of the harmonica as lead instrument has declined drastically since the mid fifties, as has the popularity of blues music in general with black people. So you probably won’t see him featured on Vibe’s cover. And obviously Shah is not white or British so don’t look for him on the cover of Rolling Stone either. 

But he’s probably among the best blues harmonica players still around-definitely in Detroit. For a while Shah had a profitable relationship with guitarist Howard Glazer (heard on two cuts here) that reminded some blues fans of previous celebrated harmonica-guitar duos. Glazer had a somewhat limited blues-rock sound that nonetheless worked well with Shah’s thick “Mississippi Saxophone” tone. 

Sadly someone told Glazer he could sing and he went solo. Glazer can’t sing. Not a note. So Shah lost a decent guitarist. And Glazer lost someone who could tell him to stop playing so loudly all the time. But so it goes. Other guitarists who have worked with Shah include Mel Brown and Little Jr. Cannaday, each of who are very different players and FAR more rhythmically adept than Glazer. 

Shah is a good singer and is fun to listen to. The interplay between his voice and his harmonica is very enjoyable. And when the harmonica and guitar trade off, it’s even better. Shah’s voice drips authority and testosterone; it's a far cry from high pitched bleats from gelded boy band singers or syrupy whimpers from R&B sopranos. This is tough music sung by a tough dude. He’s been there, done that and is still standing.  

Dun Made my Getaway   Guilty

Dirty Old B*****       The Sky is Crying

Join The Urban Politico Team: Live Chat - GOP Presidental Debates

Join The Urban Politico team for tonight's Republican Presidential Debate.


8 PM EST CNN

Live feed at http://www.cnn.com/
Airing tonight at 8pm ET/5pm PT is the Western Republican Presidential Debate live from Las Vegas, Nevada. The debate is sponsored by CNN and the Western Republican Leadership Conference. Tonight's broadcast will feature seven GOP candidates since Jon Huntsman has chosen not to attend this time around.

Join us this evening for a live-chat via www.theurbanpolitico.com and logging into our Chat Feature.

McDonald's NY Beatdown

Women start fight and lose badly

Our recent post on battered women syndrome engendered some discussion about when violence is appropriate. I think it's legitimate in self-defense. Unfortunately some people have a rather elastic concept of self-defense and would extend it to such actions as shooting someone while he's shaving or burning his bed while he's asleep.


Self-defense is legitimate while the aggression is taking place and when the force used is proportional to the threat. I can't shoot someone because they stepped on my blue suede shoes. But some citizens, either from their basic nature or bitter experience, have decided that a deliberately disproportionate self-defense response is the best way to discourage further attacks. Two very stupid, drunk and violent women recently discovered that the hard way in a Manhattan McDonald's. 

An argument between a cashier and two irate customers at a Manhattan McDonald’s turned violent, leaving both customers injured and all three facing charges. The entire incident, which was captured on video, happened Thursday morning at a McDonald’s on West Fourth Street in Greenwich Village, CBS 2’s Chris Wragge reports. It appeared to have started when two female customers argued and yelled obscenities at the cashier when he questioned a $50 bill they gave him. One of the female customers then slapped the cashier. A woman is then seen jumping over the counter while the other woman goes behind the register...

Video Below

Both men AND women need to avoid starting fights.You don't know what other people consider to be a "proportional" response to your provocation. If I were moronic enough to walk up to Ray Lewis, Chuck Liddell or Bernard Hopkins, curse them out and slap them in the face, I would expect that there would be consequences and repercussions. Cause, meet effect.

I think some women have learned the wrong message from the modern female empowerment environment we live in. Like those old Dave Chappelle skits, you can decide to "keep it real". But every now and then you're gonna run into someone who REALLY doesn't give a f***. And this was so stupid. Cashiers are often told to verify large denomination bills. It's not something worth starting a damn fight over.

QUESTIONS
1) If two men had cursed a cashier out, slapped her and jumped over the counter with bad intentions before catching a beatdown from the woman, would this story be described as horrific or humorous? Do the women have a legal case against McDonald's?
2) Do you think the man's response was disproportionate? Would you accept an argument from him that he was acting to protect himself or team members? Or do you now have sympathy for the women?
3) Was it news to you that McDonald's is hiring violent ex-cons?
4) Bonus question: What causes the sort of brainlessness shown in this video?

Movie Reviews-Thor,You Kill Me, Reanimator and More

Thor

I am a huge Norse mythology fan. I was less interested in the Marvel cartoon series and comic book featuring Thor. Those were  watered down and rewritten versions of pagan myths made more palatable for children. The original stories were grim and bloody. Unlike the Greek gods or the Christian God, the Norse gods are not all-powerful. They can and do die. They are going to lose the battle at the end of the world and die. And they know this. But they persevere anyway because that's what northern heroes do-be they gods or men. The Norse mythos is the incarnation of It's Grim Up North.

So I was a little wary of the Thor movie. However Marvel has generally done a good job with its comic book adaptations. I was intrigued because this was directed by Kenneth Branagh and included Natalie Portman. So I put aside my complaints and sat down to watch it.

Thor was okay for what it was.  It was thoroughly predictable, even if you neither knew nor cared about the myths behind it. Thor (Chris Hemsworth), the arrogant and eldest son of Odin (Anthony Hopkins), king of gods (it's explained in an aside that these are not actually gods but quite advanced extraterrestials) is convinced that the Old Man's gone soft in his dotage. Thor wishes to restart the eternal war against the Jotuns (Giants) who have managed to find a way into Asgard to attempt to steal a relic of great power. Incensed by his father's refusal to act forcefully, Thor leads a punitive expedition to Jotunheim. This is a total failure. Thor is only saved by Odin's timely intervention.
Brought back to Asgard, Thor refuses to admit he was wrong and continues to needle and insult Odin and question his leadership. Finally roused to wrath, Odin strips Thor of (most of) his godly powers and hurls him to earth where, banned, he will be unable to regain his true powers until he has learned humility. From earth this appears to be some sort of singularity that opens and closes. It attracts the attention of scientists Jane Foster (Natalie Portman) and Eric Selvig (Stellan Skarsgard). Foster has a more than scientific interest in Thor-especially as the buff Hemsworth appears shirtless in a few scenes. Unlike the comic book, Thor has not forgotten who he is, nor is his hammer altered; he just can't get to it.

Meanwhile back in Asgard, Thor's foster brother Loki (Tom Hiddleston), is attracting the suspicion of Heimdall (Idris Elba). When Odin is mysteriously struck down, Loki becomes ruler of Asgard and starts making even more changes.

And you can guess the rest. The movie looks good; I loved the rainbow bridge. But I would still like to see a true rendition of a Norse story-cycle. In the myths, Odin is the arrogant and cruel god. Thor is a friendly, red-bearded, simply dressed rustic who is often mistaken for a plowman or other peasant.  Since Marvel's Iron Man used Black Sabbath's Iron Man, I was half expecting Thor to use Kiss' God of Thunder but I don't think it did.

Trailer

You Kill Me

Movies like this are often described as quirky or offbeat. You kill me fits that description quite well. It makes a few tips of the hat to The Sopranos or Analyze This.
It is about the problematic life of one Frank Falenczyk (Ben Kingsley), a hitman for his Buffalo based crime family. And this is a family- the boss is Frank's uncle Roman (Phillp Baker Hall).

Frank used to be one of the best killers around but lately he's gotten depressed and has a rather serious drinking problem. Frank's family is being pushed out of the rackets by the Irish mob-presided over by Edward O'Leary  (Dennis Farina). Roman knows he's running out of time before O'Leary eliminates the Polish gangsters. So he orders Frank to do what he does best and remove O'Leary from the planet. However Frank falls asleep and does not carry out the hit. Worse, O'Leary becomes aware of the failed plot and Frank's degeneration into drunkenness.

Angry, embarrassed and frightened, after telling Frank that the only reason he's still alive is because of their blood relationship, Roman sends Frank across the country to AA in San Francisco with orders not to return until he's clean and sober. The dour Frank gets a job as a funeral home assistant. He finds this ironic considering that he usually supplies funeral homes. But he comforts himself with the idea that he's still in the death business. After some hesitance Frank becomes friends with fellow AA member Tom (Luke Wilson) as well as a woman, Laurel (Tea Leoni), who attends a funeral and shares Frank's mordant sense of humor. Things are going better for Frank. But AA requires that you share everything. Frank doesn't want to share what his day job is. And without a Frank there to scare them off, back home the Irish mob is digging graves for Frank's friends and family.


The movie turns on what makes Frank happy and whether by attempting to solve his alcoholism and depression, AA and his friends are just making Frank a better killer. The answers may surprise you. Kingsley and Hall are always fun to watch. Farina has played his share of gangsters but they tend to be Italian, not Irish so I guess this was different. Obviously there is also a love story between Frank and Lauren. Leoni is channeling Lauren Bacall here. Bill Pullman has a small role. This was a nice movie but not a must see by any stretch of the imagination. Killers with personal problems has been done to death if you pardon the pun.
Trailer


Reanimator

This is a CLASSIC horror film that is based on a pulpy, viscerally racist HP Lovecraft story.
The movie Reanimator drops the racism but turns up the pulp. This is an EXCELLENT Saturday afternoon movie that over the years became something of a cult hit. Reanimator walks that fine line between too much and not enough in terms of sex, gore and frights.  It was considered over the top when it first came out but it's nowhere near today's torture-porn. It also has a delicious sense of humor.

Dan Cain (Bruce Abbott) is your normal semi-impoverished horny medical student at Miskatonic University. He may be struggling now but he has a bright future ahead of him, not only because he's going to be a doctor but because his girlfriend is Megan Halsey (Barbara Crampton), a leggy blonde bottle of energy who also happens to be the daughter of the medical school dean (Robert Sampson). Dan's future is so bright he's got to wear shades but he still needs help with the rent (He and Megan don't live together as she has to play "good girl"). Dean puts up a "roommate wanted" sign on campus. At an incredibly inopportune time  (Dean and Megan were just about to play "Doctor and Nurse") a strange, prissy young fellow named Herbert West (Jeffrey Combs) shows up to become Dean's roommate. Megan immediately takes a dislike to him. Combs is perfect for this role. He literally brims over with repressed arrogance, pride and anger. He's the Nietzschean Superman made flesh. Evidently West was expelled from European medical schools for his unauthorized experiments and his outre beliefs about the limits of life and death.

West doesn't tolerate fools much. On literally his first day in class he gets entangled in an argument with his instructor,  Dr. Carl Hill. (played by John Kerry lookalike David Gale) Hill is a creepy fellow who is friends with Dean Halsey. Hill has an interest in Megan Halsey that is anything but professional. He's not her father but he'd like to be her Daddy if you know what I mean.

West is obsessed with death. He begins the same experiments that got him previously expelled elsewhere. Only this time he has a (mostly unwilling) accomplice in Dan , who he browbeats, blackmails and begs for help. I really, really liked this movie. In terms of music, pacing, direction, and lighting Reanimator showed that you don't need a lot of money (the film cost less than $1 million) or huge stars to make a great horror film. Stuart Gordon directed and Brian Yuzna produced. Both men have an affinity for Lovecraft stories. If you like short quality horror movies with little flab, lots of scares and by today's standards modest amounts of gore, this could be for you. This was similar  in feel to Evil Dead (1 and 2). The trailer gives away too much imo so no link here. The SFX were quite realistic and scary. This owed a lot to old time comic books and pulp novels. And it showed in every scene.

Fear of a Black Hat

The obvious comparison is to the similar satire film This is Spinal Tap. But honestly Fear of a Black Hat is much funnier. It's also aged surprisingly well. It's a satire of just about every rap group of note from back in the day. 

Fear of a Black Hat is shot in documentary style. It follows the rise, fall and eventual comeback of the rap trio N.W.H.  N.W.H. is led by the sly, extremely verbose and sex-obsessed Ice Cold (Rusty Cundieff). The other two members are Tasty Taste (Larry B. Scott), an angry short man with a fascination for "busting a cap in somebody's a$$"  and Tone Def (Mark Christopher Lawrence) a gentle giant of a man--unless you mess with his money. The documentary director Nina Blackburn (Kasi Lemmons) follows the group around-primarily Ice Cold, who is totally upfront with his desire to get to know Nina on a biblical level.

This is one of the funniest satires ever made. Obviously the director (Cundieff) knew and loved a lot of the then current rap music. Whether it's lampooning the need for rappers to be seen as hardened criminals -a school reading session with rival rappers escalates with each group making ever more outrageous boasts about their criminal past- making fun of the group's seeming inability to keep managers alive (Ice Cold explains that starting out many of their managers got shot in disputes and since then the group decided it would be healthier for the black community and the group's families to only have white managers) or the ripoffs inherent in the music business-the shot at C&C Music Factory is a laugh out loud moment, this movie starts in "Tough Neighborhood, Anytown USA" and doesn't let up for a moment.

The group is never seen without hats because as Ice Cold earnestly explains, during slavery blacks worked all day in the fields without even a babushka to shield themselves from the sun and were thus too tired and hot to rebel. But now they have hats, so watch out!!! N.W.H. wears increasingly ridiculous hats throughout the movie and occasionally even in the same scene.

Ice Cold is particularly adept at coming up with laughably ludicrous justifications to show the alleged hard core social and political meaning behind his lyrics, most of which are relentlessly concerned with sex, violence and partying. A semi-clean example involves a song titled "Kill Whitey" which the group claims is just misunderstood and not a racist ode at all.  Ahem. Supposedly the song was actually about their former manager Whitey DeLuca , who allegedly ripped the group off and was later mysteriously shot to death. Tasty Taste and Ice Cold say they don't know anything about the murder as "they were out of town when it went down". The somewhat slow on the uptake Tone Def contradicts his band members and is telling them " Remember you two said we had to straighten DeLuca out for once and for all" before the tape is stopped and restarted and Tone Def reappears to solemnly agree that no one knows what happened. 
This came out at the same time as CB4, which had a similar theme. But Fear of a Black Hat is a much much tighter satire and about 1000 times funnier. It helps the viewer, but is not necessary to have a passing familiarity with rap and R&B of the late eighties and early nineties.

The Thing

This is strictly speaking a prequel to the 1982 Kurt Russell movie but in actuality it's a remake right down to the music and even the scene progression. This was a mistake. A bad one. The SFX are good but basically if you've seen the previous movie, you've seen this one-only done right.  In fact this was such a disappointment I don't really feel like writing much about it. This might be okay for people who haven't seen the 1982 move but of course any sci-fi/horror fan has already seen the 1982 movie. This is based on a John Campbell pulp story but it's 100% Lovecraft inspired. Sigh. It wasn't a bad movie but looking back I just think it was unnecessary. The SFX are both a homage to and an improvement on the 1982 film but what's missing is the sense of paranoia. There was also more explicit violence and gore, probably because that's what the modern audience is used to seeing. A woman (Mary Elizabeth Winstead) had the lead role. She does ok. The movie just didn't work for me. Ok that's it. I'm not writing more about this. Here's the trailer and you can make up your own mind.